Crazy / Mad Making Its Way to Poetry Readers

I am even more proud of my debut full-length poetry book, Crazy / Mad, now that it is in my hands, a tangible object that exists in the world. Author Michael V. Smith blurbed the book with, "Injecting their poems with great care and intimacy, Dolman concocts a wry irony as medicine for a troubled world."

And awe-inspiring poet Natalie Hanna wrote, "Dolman’s terrific Crazy/Mad tears through the geography of the Diagnostic and Statistical Manual of Mental Disorders, deconstructing its Malleus Malleficarum, puzzle-piece-approach to mental health and illuminating the in-between spaces no one discusses aloud. Poems pick-apart symptoms and diagnoses around 'madness' the way one carefully knifes apart a sumptuous Sunday brunch in a too-bright, formal room with others watching, while detritus rains from the rafters just outside."

I am grateful for their and others' kind words. 

I expected launching my first poetry book would be hectic, and it has been! Although Crazy / Mad only came out officially today (April 1, no joke), a box arrived to me just over a week ago.

Which meant my beautiful books (thank you so much to publisher Jeremy Luke Hill for the magnificent cover design) landed in Ottawa just barely in time for my March 24 reading at VERSefest. Thank you to everyone who came out for the packed event, hosted by the charming poet and translator Madeleine Stratford. I felt privileged to read alongside Nduka Otiono and Myriam Legault-Beauregard, and I couldn't have asked for a more welcoming crowd.

Visit this blog in the coming weeks and months for more info about my official launch and other events I'll be part of this spring and summer. In the meantime, please ask your local library to order Crazy / Mad, and get yourself a copy via Gordon Hill or your favourite local bookstore!

Crazy / Mad: my first poetry book, out spring 2024!

The start of a new year feels like the perfect time to announce my forthcoming poetry book, Crazy / Mad, will be available in spring 2024 from Gordon Hill Press, and is already available to pre-order. 

I am in love with the cover design and very proud of the contents. I hope you can buy, order, share, recommend or otherwise support the collection. But, above all, I hope you read and get something out of it. 

Huge thanks to my editor Shane Nielson and brilliant publisher and graphic artist Jeremy Luke Hill. I'll post more about launch and reading dates once information becomes available.

Interview with Trode Publications

My thanks to the fabulous Trode Publications for interviewing me at the start of this year. The interview was a lot of fun to do, and went some places I didn't expect. Visit their blog to find out about some of my current projects, forthcoming publications, and some of my inspirations (both good and less so)! 

The interview is part of a series Trode is releasing with selected genre and literary authors, so follow them to learn more about a variety of emerging and established writers.

 

Books I Liked: 2021 Edition

Ok, so, I missed making a list last year, but I'm back to it again now. This list, as ever, is not necessarily of books or collections that were published in the year, but are among what I actually read during the year, keeping in mind my to-read reach will forever exceed the number of hours in my days.

This year was spectacularly awful in so many ways, both personally and globally, but, as ever, books have helped guide, distract, amuse, centre and engage me, pulling me out of myself when I need it most, and encouraging me to reflect in ways large and small. I hope you've found ones to do the same for you.

First on my otherwise in no order list this year is One Last Stop by Casey McQuiston. This was a brilliant, creative, sexy, funny and an all-around queer must-read. I won't go into more detail here, but if you liked McQuiston's debut Red, White & Royal Blue, you will love One Last Stop. It is more queer, more diverse, more class aware, and, despite also being speculative fiction involving psychics and time travel, more deeply real.

Cemetery Boys by Aiden Thomas (technically YA, but brilliant for any age) not only tells a captivating and exciting story, but has fierce, complex and engaging trans and queer main characters and one of the best examples I can recall of interplay between two languages, in this case Spanish and American English. River of Teeth, a novella by Sarah Gailey, is not only highly creative but will make you care deeply about its entire cast of characters very quickly. I'm listing it here with the caveat that it has an abrupt ending, but the fact that it's labelled "#1" gives me hope there will be a follow-up to take us on more of the characters' journey after the central adventure of the novella has ended. 

Dearest Milton James, a romance across two eras, wrapped in sweet humour and a fundamental understanding of queer history) by Australian author N.R. Walker also stood out for me this year in fiction, as did TJ Klune's House in the Cerulean Sea, which my entire family has been recommending to anyone who will listen ever since each of us read it. 

This year, I tore through all three books (a fourth came out in December and I have it on order already) in the queer, historical urban fantasy Magic in Manhattan series by Allie Thieren. The series came recommended by my good friend Kathleen, to whom I am forever grateful. I equally enjoyed reading further this year in the fabulous Whyborne & Griffin series, by Jordan L. Hawk, in the same genre.

My favourite delayed read this year was Christian Baines' Puppet Boy, which I finally got to, having somehow previously omitted it while reading the rest of Christian's books ages ago. Puppet Boy reads like a far more insightful, keenly intelligent and more richly layered When Everything Feels Like the Movies. Do not skip this book.

I read two classics, in particular, this year that will stay with me for all eter nity and that I think should both be taught in school (perhaps replacing some other "classics"): the 1956 novel of bisexuality and exported Americana Giovanni's Room by the iconic James Baldwin, and Parable of the Sower, the first in the dystopic Earthseed series by brilliant and heraldic science fiction author Octavia E. Butler. I remain deeply resentful of myself and of the social constructs that lead me to be well into my 40s by the time I read either of these authors. Do not make the same mistakes I did.

My absolute favourite poetry of the year has been Pebble Swing, by Isabella Wang. Her talent is spectacular, and that she has such a wise and insightful approach to language and life at such a young age is practically alarming. Hustling Verse: An Anthology of Sex Workers' Poetry (eds. Amber Dawn and Justin Ducharmes) I actually read and reviewed for Arc Poetry Magazine last year, but it deserves to be on one of these lists. It's an excellent poetry collection from voices we don't usually hear from, but should. David Ly's queer, speculative poetry collection Mythical Man was a stand-out for me as well, with its somehow both economical and ornate use of language, and its magical allegories of queerness and being via a world of mystery and monsters.

In graphic novels, I loved the latest trade in the Monstress series by Marjorie Liu and Sana Takeda, which only gets more interesting as it goes on. Due to shipping and retailer issues, I have not read the latest trade yet. I've been doing my best to avoid all spoilers as a result, which sometimes means fleeing Twitter at the drop of a reference. I have to say, only slightly begrudgingly, that I was also honestly impressed by the Pride collections that both DC and Marvel put out this year. There is so far to go still, but the big houses have certainly come a long way. 

Lastly, I want to mention a book I've started reading but haven't finished yet, since I just received it for Christmas. Bi the Way: The Bisexual Guide to Life, by UK bi+ rights advocate Lo Shearing, receives a mention because I've been looking forward to it since I heard Shearing was working on it, and not only because they quote me in it (it's admittedly a rather depressing quote; but the book as a whole looks extremely inspiring, combining honest assessment of a world full of biphobia and erasure, with a sense of celebration and hope).

 

All these entries are tips of reading and genre icebergs, and though I don't tally my reads, I read way more this year, and enjoyed far more books and stories, than I've listed here. My apologies to everyone whose work moved me but that my end-of-year brain won't let me recall right now. Please all feel free to comment with books you've read this year and recommend, too.

No More Plums by AJ Dolman

Highlights from Scrolling Through the Darkness

I had run out of metaphorical spoons even before COVID-19 shooed us all inside, so the first few weeks were not what I'd envisioned for A vs an Apocalypse. Instead, I, like many, spent a lot of my time on the couch or in bed, occasionally managing to function enough to answer a phone call or make a meal.

One thing that has helped me restart, and that keeps many of us engaged, or at least a bit connected still to the world, is the arts, in all its forms. I haven't made much of it in this time, but friends and family have shared their favourites, and I've watched and read and and listened, to the fluff and to the serious, and everything in between. In case it helps you, I've made some lists of writing, sites, news outlets, and access to financial supports for Canadian artists, below. As Amanda Parris says in her CBC essay:

"Artists are constantly forced to prove their value and worth to governments and voters. This lockdown should be a wake-up call to all of us who are leaning on these creatives now: arts and culture needs to be an unwavering national priority."

Stay safe and be well. Even apart, we need to be in this together.

Arts & Entertainment

I recently prattled on in a column for Write Magazine, the quarterly publication for members of The Writers' Union of Canada, about mental health in the writing community and how many of the expectations, above and beyond good writing, are magnified and intersect with other barriers to create daunting obstacles for many writers. My essay from this past winter, in Hamilton Arts & Letters' disability poetics issue, Imaginary Safe House, on bisexuality, isolation and mental illness, also feels more relevant than ever, now that we are all isolated.

If you're the kind of person who follows this blog, you probably don't lack for reading materials at home right now, but if you don't have yourself a copy of Hustling Verse: An Anthology of Sex Workers' Poetry yet (ed. Amber Dawn, Justin Ducharme), please read my review for Arc Poetry Magazine explaining why you should.

If you feel like you could use an evening (or afternoon, or morning, or 2 a.m.) at a poetry reading, micropublishing powerhouse rob mclennan has launched an online virtual reading series as part of his new Periodicities journal of poetry and poetics, and the amazing Tara Skurtu, from her poetry outpost in Romania, has launched the International Poetry Circle, which you can also follow on Twitter.

I was ridiculously honoured this spring to be included in the International Day of Pink's first colouring book, Colouring with Pride: 12 trans and queer Canadians you should know (PDF). Print it; colour it; read about amazing community organizers, leaders and artists like Arielle Twist, Libby Davies and Danny Ramadan; and check out each entry's "Keep learning" section.

News & Information

It's been hard to find news coverage that could be considered remotely unbiased during the pandemic, much as it was beforehand, but so far I have been impressed by coverage from the independent British newspaper The Guardian and by the English arm of Al Jazeera. Please remember to support independent media.

If you aren't tuned into the magazine's awesomeness yet, I also recommend subscribing to if you can, or at least visiting the website for, This Magazine. The bimonthly, Canadian socialist news and arts magazine has a broad range of unique, inclusive and highly relevant news, features, art coverage and opinion pieces.

I am also, in fits and starts, watching this webinar, organized by the World Bank, on Universal Basic Income as an approach to the coronavirus crisis and beyond.

Money & Help

Canadian emergency funding does exist for some Canadians, if you can get to it behind the curtain of red tape, through the Employment Insurance program and the Canada Emergency Response Benefit.

Writers falling between the cracks in those systems can apply to the Canadian Writers' Emergency Relief Fund, organized by the Writers' Trust of Canada, while performing artists whose tours and shows have been canceled due to the pandemic can apply to the National Arts Centre's #CanadaPerforms. If you're a creator for stage or screen, you may be able to access the CBC Creative Relief Fund.

LGBTQ2IA+ and local communities have also been coordinating funding for those not served, either yet or likely at all, by more institutional systems, particularly freelance and contract workers, artists of all kinds, sex workers, and other precariously employed workers. If you can help, or if you need money, go to:

Glad Day Lit Emergency Survival Fund

Kindspace Ottawa's Community Care emergency fund to meet short-term needs for $100 or less was at capacity at the time of this posting, but please contact them if you are able to donate so they can continue helping LGBTQ2IA+ Ottawans in need.

Also in the world of money, though admittedly less and longer-term, Access Copyright's Payback is open for this year. If you are a Canadian writer or visual artist, register your print publications from 2018 or earlier before May 31, 2020. Payments are usually distributed in November.

A Difficult Essay to Write: On Anxiety, Depression, Bisexuality and Isolation

Frog Hollow Press and Hamilton Arts & Letters have co-produced an amazing new anthology, Imaginary Safe House, as number 11 in Frog Hollow's Dis/ability Series.

I am honoured to have a personal essay in this magnificent collection of work by deaf, disabled, neurodiverse and mentally ill poets. My essay, "Leaving a light on," is about my history with both anxiety and depression, and the relationship to my bisexuality and to isolation. 

This was one of the hardest things I've ever written, and I'm very grateful to Imaginary Safe House co-editor, Roxanna Bennett, for her editorial guidance and her kindness.

Released last week, the book explores themes of disability and poetics, and how and where the two connect. The press is publishing a very limited number of printed copies, so buy one soon if you want to own one.